Egyptians depicted emotions and states through skin colour - blue, red, green, etc
Ancient Egyptians used color in their art as a powerful means of conveying emotions, spiritual states, and social roles. Their sophisticated understanding of color symbolism allowed them to communicate complex ideas and feelings through visual representation.
Rainbow Colors = Emotions.
Red and Anger/Fury: Phrases like "seeing red" or "red with rage" convey the idea of intense emotions, particularly anger.
Blue and Sadness: The expression "feeling blue" is commonly used to describe feelings of sadness or melancholy. This association is deeply rooted in language and has been reflected in various artistic and literary works.
Green and Envy: The phrase "green with envy" is widely recognised and indicates jealousy or resentment.
Black: Symbolises death, indicating a complete transition from life to death.
Expressions associated with it: dark mood, darkness.
Egyptians had a complex symbolism in art, and they conveyed emotions and deep states through colours—this included blue. Sekhmet and Ptah (Saka Mat(ria) and Ptah) are depicted as blue in some contexts, indicating pain, sadness, and deep depression.
Osiris (Asare/Sare in original Egyptian) is depicted as green at times (or brown or black). This depicts various states, such as hatred, envy, fear, or a state of death (which is more than simply finishing an incarnation).
So, Egyptian art is not necessary about skin colour, although in normal cases, they depicted males as red (and this indicates aggressive males) and women with white or yellow skin tones.
Egypt depicted emotions and spiritual states through skin color. A blue Sekhmet and Ptah indicate they were pained, sad, or depressed. A green Asare/Sare (Osiris) indicates he was envious, hateful, or spiteful. Black was the color of absolute death and was usually avoided. However, when it appears in art, it depicts a state of absolute death.
White represented White Light = Truth = Life, associated with the word 'fre' (not 'nefer,' which is an insolent, rude attempt to state the opposite). Egyptians worshipped White Light, not death or darkness. They depicted the spiritual battle against darkness through art.
Egypt worshipped White Light, not darkness, like neheji. The word 'FRE' = English 'FAIR' = white, honest, good, beautiful. They are the same word and preserve the same meanings.
Ultimately, it is enough to check Egypt's list of enemies, all dubbed as neheji, to realise who they were and what truly happened.
On the rare occasions that Egyptians are represented as black, they are dead as a spiritual state, going through a very dark mode. In Egypt, black always meant the colour of death. No exceptions!
Only neheji who are absolutely dead could make such an outrageous claim.They are the dead. Never to be alive. Egypt always depicted them on their knees, about to be smitten.
As a side note, only the Living, the Atrei (not ntr) can comment or understand Egyptian art. The neheji are irrelevant anyway. They exist for a limited amount of time.
Egypt was created by Matria Atena Atiati Freya, the Empress of the Living Ones and it represents her and her civilisation - Matria Esh.
Matria Esh goes by many names - Deata (not Duat), Heavens, Vanir, Atena Esh (Eden), etc etc.
The connection between 'rai' in Romanian (meaning 'Heaven') and words like 'ray' in English, 'rayo' in Spanish, and 'rayon' in French highlights a common theme in many languages where light is often associated with concepts of heaven, divinity, or the celestial. They all come from Ra/Re/Ria - Matria (Mat + Ria, Cosmic Order, Truth + Light).
Even the word 'divine' comes from 'dea' (goddess) + 'VAN' (Vanir), who is Matria Atena Atiati Freya, the supreme deity of Vanir; thus, deata, dea Vanir >> divine.
Dea' or 'dia' means light. It became 'day' in English, denoting permanent light.The word 'day' implies the absence of darkness.
The word 'DAY' comes from 'DEA/DIA.' Diana is celebrated on June 24 (San Diana > Sanziana, Midsummer Day), and that is the celebration of the Summer Solstice, the longest day of the year—the most powerful light. Diana's association with the Moon comes via astrology, as the Summer Solstice point is in Cancer, which is ruled by the Moon. Thus, the most powerful light, Diana, the Immortal Huntress, Ra Manat = Light Eternal, the most powerful aspect of Ra/Re/Ria (Matria), became associated with the Moon, simply because Cancer is the zodiac sign permanently associated with the Summer Solstice point. The constellation of Cancer is extremely dim, denoting the absence of light in the area. Cancer itself implies depths, a watery abyss
Cancer is conjunct the Apis Bull constellation—Ptah, Aesir—which starts from the star Sirius (Asare/Sare). Sirius is one of the 12 stars in the 'crown of stars'—all related to stars on Matria Esh's ecliptic (not Terra's).
12 stars = 12 zodiac signs
The zodiac signs are colour-coded. There are four triplicities: air (yellow), water (blue), fire (red), and earth (green or brown). Terra's AC is Aries— the fire triplicity, red energy. Aries is ruled by Mars, the red planet, the god of war, indicating a very violent nature
Cancer is associated with the water triplicity—blue energy. Freyr (Ptah, Zeus/Deus, Lucifer, etc.).
The red heart symbol is not a symbol of love. The heart is a symbol of Capricorn (it is the shape of the constellation; it appears in the 40,000-year-old European script), which, in general astrology, means the 5th house (because Matria Esh - Virgo - is the absolute reference).
The proper zodiac starts with Virgo, which is ruled by Mercury, the first planet from the Sun. It is from Virgo, Terra's 6th sign, that the planetary rulership flows in the proper order: from the first—Mercury—then Venus, Mars, Jupiter, etc.
The order of planetary rulership and zodiac signs is as follows:
01. Virgo - Mercury,
02. Libra - Venus,
03. Scorpio - Mars, etc.
The order becomes inverted at Capricorn (ruled by Saturn) and Aquarius (co-ruled by Saturn and Uranus). From then on, we have the opposite order of the planets, until Gemini, which is ruled by Mercury. The other two remaining zodiac signs are ruled by the Moon (Cancer) and the Sun (Leo).
A red heart = aggressive sexuality and violent behavior in relationships that focus strictly on trivial matters. It also signifies highly aggressive parental behavior (mirrored in a certain cult whose main belief is the torture and killing of the unique son).
Egyptian colour codes depict emotions and are quite similar to Christian iconography, which uses the term "seraph" (from "Sare," and possibly linked to "serpent") to depict energy colours. "Seraphim" are not "angels"; they represent darkness manifesting.
Seraph, pl. "seraph" or "seraphim," represent darkness in its various
manifestations—red, blue, green, yellow, black, brown, etc. For short,
seraphs/seraphim represent emotions: the irrational, darkness, and
death—anger, fury, frustration (red); sadness, pain, depression (blue);
illusions, lies, deceit (yellow); etc., etc.
The symbolism is uncannily similar between ancient Egypt and Christianity.
This indicates a common source for these beliefs and their artistic expression.
The rags (I will not call them attire or clothes) depicted in icons indicate energy colours, too.
Icons, similarly to Egyptian iconography, depict complex scenes that contain intricate astrological codes and energy codes (colours that depict emotions).
One can see red crowns (aggression, violence, fury, frustration), or yellow in the heart (illusions in love), or lots of blue around—sadness, depression, pain, or silent contemplation of those blue states.
Jesus is usually associated with a red seraph above his head, denoting a lot of violence, fury, and frustration, along with a lot of yellow (lies, deceit, illusions) and green (hatred, envy, jealousy; but normally green is blue + yellow).
The primary colour associated with him is red—Santa is an anagram for Satan, and he wears red.
Ultimately, reality is Matria's lab. We experiment with various concepts, and sometimes we accidentally choose wrong ideas or concepts that generate a lot of darkness. That is our mistake that needs to be corrected. The only way to get rid of darkness and heal self is to choose White Light = Truth = Life. That is one's way out of hell. It is the ONLY way out of hell—the valley of the shadow of death (the realm of the dead, one of which is Terra).
Ultimately, there is only one truth. Let's take Mathematics (from the old European =Egyptian dual plural "MAT MAT"). Only 1 + 1 = 2 is correct. We have an infinite number of options for false answers (darkness), but only one truth.
Reality functions on Truth vs. false. There is nothing in between. It is
either White Light or it is darkness, similar to "1 + 1 = 2."
This is the 9th age of Pisces, but it is usually combined with the age of Aries (the Lamb, the Ram). Pisces is blue (the water triplicity), while Aries is red (the fire triplicity). However, Pisces is always associated with illusions, deceit, and lies (yellow energy) and self-undoing, because it is Terra's 12th sign. Like any sign, it can have white light within, as well as darkness.
Every choice has consequences—one cannot escape those. If one chooses White Light, they are alive and well. If one chooses darkness, they die, and this can last many incarnations. The same patterns will be repeated over and over until one realises the mistake and fixes it. This is why it is very helpful to know the colours of energy and what they represent.
